by Samuel Tafreshi
Radical in its content, striking in its aesthetics, and representative of the vast and shifting landscape of revolutionary thought, this was the print culture of Iran at the moment of liberation.
Read MoreIn this interview, Arpi Adamyan discusses her new piece The City of Dove Women, her experience with multimedia art, and her involvement in queer activism. Please join us for the opening reception on October 3, between 5pm-12am.
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Queer diaspora critical theory—and parkour.
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by Monica Zandi,
A group show contextualizing historical memory and nostalgia through the artists’ subcultural values.
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by Celia Shaheen,
And all of the sudden, this whole rhetoric of “them versus us” made me question my own identity. Who am I? I’m them and us.
Read Moreby Farrah Fray,
The film—Naziha Arebi’s directorial debut—is the first ever feature length film to come out of Libya by a Libyan, let alone by a woman.
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by Suzana Poghosyan,
In this interview, Suzana Poghosyan and Araz Farra discuss their creative process, relationships to home, and diaspora privilege.
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by Jennifer Saparzadeh,
“My blossomed potted plant/ My moonlit balcony / From you I am alone / Fish out of its home.”
Read Moreby Meshal Al-Obaidallah,
The mundane everyday objects around which Obaidallah is surrounded…
Read Moreby Tamer El Aswad,
“Should one find the light, or should one experience darkness in order to find truth?”
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by Lizzy Vartanian Collier,
Exhibition analyses how sound constructs social identity and space.
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Palestine’s burgeoning music scenes, represented.
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by Laila Iravani
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by Laila Iravani
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by Lizzy Vartanian Collier,
The struggle of the LGBTQ+ representation in Middle Eastern art might phase Alireza Shojaian—but it doesn’t stop him.
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