issue 4. EDGE

Cover art by Knar Hovakimyan.

Cover art by Knar Hovakimyan.

Editor's Note

As a child, I rarely found solace in my difference; mainly solitude. I, like many, am muhajun (مهجن). Masked by the foliage of accents, slang, body language, and adab, I have had to learn how to navigate the environments around me. But at what cost?

In our previous issue, we probed the constitution of identity. To what extent are our subjectivities and relationships formed by the governing structures we exist within? What about the food we eat or the layout of the geography? By focusing on points of overlap, we necessarily investigate parts that don’t; the contours, the limits, the boundaries of any form of distinction, institutionalized or not.

EDGE was thus born out of the ambiguous relationship between representation and precarity. Does more visibility make the marginalized more vulnerable? How do we describe the relationship between the periphery and center? Can they exist independently? We began without always knowing the question, but guided by our memories, observations, crossing of boundaries, cultural, emotional, gendered, national, religious.

Khurasan, a cultural and intellectual hub during the Islamic golden age, was divvied up and appropriated by proceeding powers into the complex fringe it is today. Yerevan, which has grappled most recently with visibility, became home to a protest movement engendering Armenian art around the globe. And Fairbanks, the edge of the world, is home to a small community of Kurds from Faraman who escaped persecution—and an unorthodox meeting point for an Iranian academic to reconnect with his childhood.

The contributors to this fifth issue reach beyond the center to examine the divided, the contained, and the container. They delve into times of transition, and the risks that follow it. They reveal the hardships that come with the margins, and the strength that accompanies such struggle. They show that we meander through memory and home—fluid experiences engendered by colors, cloth, coins: sensations with which to approach the peripheral perspective. Most importantly, they demonstrate that familiarity with the edge unlocks a power of its own: we are our own centers.

Featuring

ATOPIA: THE MIND IN WINTER

By Darius Rejali

MEMOIRS THROUGH POKUA’S WINDOW

By Gideon Appah

MAPS OF VELVET

By Suzana Poghosyan

My Blossomed Potted Plant

By Jennifer Saparzadeh

URBAN DECAY

By Sheyda Allahverdiyeva

GOING HOME

By Leena Aboutaleb

NAMEDROPPING

By Samuel Tafreshi

10 AM

By Yasmine Badaoui

AN IRAQI INSHALLAH

By Ziad Halub

IFTAR

By Mahdi Ali

FREEDOM FIELDS

By Farrah Fray

THE VALLEYS OF BALTISTAN

By Amara Waseem

DRAPED

By Lizzy Vartanian Collier

SHIMAGH

By Meshal Al-Obaidallah

HIKAYAT

By Nour Elbery

US AND THEM

By Celia Shaheen

LIPSTICK VS AYATOLLAH

By Monica Zandi

WHAT HAPPENS NOW?

By Sama Shahrouri

FOREIGN LANDSCAPES

By Tamer El Aswad

NO-MAN’S LAND

By Lina Fansa 

HYPOTHETICAL BODY EQUATION (WITH CATS)

By Nour Kamel